I have no idea how my red top wound up in the wash with all my white and cream clothes. None. Worse luck, I added a cup of bleach to the mix and let the whole mess sit for a couple of hours.
Not surprisingly, this cream top picked up a hint of red (much diluted) here and there.
Rit Dye Remover is expensive, and the top was not. However, I’d been wanting to try Zentangle on fabric, so this seemed like a perfect opportunity.
One piece of cardstock
A fabric pen in black
1. I didn’t need to iron my top, because I’d hung it up to dry, but your fabric should be smooth.
2. Slip the card between the fabric layers so the ink doesn’t soak through.
3. Choose a steady, flat surface so you don’t have any wobble.
4. Start drawing.
5. Stand back and admire. Notice that I chose a very simple pattern. Less is more in my book. But this still needed something.
6. Let sit 24 hours.
7. Wear and collect compliments. (You’re such a thrifty Craft-anista!)
Note: I used fabric markers that I bought online. I’ve been told that you can also use Sharpies. I suggest that after you let the fabric sit for 24 hours, you iron it on the WRONG side to help heat set the ink. Then wash it inside out in cold water.
Okay, anyone willing to try this? Tell me what you’re going to rescue by adding a tangle!
This ZIA (Zentangle Inspired Art) was inspired by a new book, The Beauty of Zentangle, where a sister CZT, Kate Lamontagne, did a piece called “Under the Sea.” Kate was in the same CZT class with me.
To create it, I started by making a blue-green watercolor background. I sprinkled rock salt on the paper to lift the color in areas. When it was dry, I photocopied it so I could try several tangles. Also, the photocopy paper is slicker than watercolor paper, so it provided a surface that would bleed less.
The waves and shells were done with sparkly ink pens. I colored in my waves with pencils, then applied acetone to smooth out the color. I did the same on the sea shells.
The green plant was made by layering green leaves that I cut by hand.
I drew the beta and its fins. You can’t really see how glittery the image is, but the sequins and glitter do add a bit of pop.
In the timeline of Kiki’s life, this short story comes afterPicture,
Perfect, Corpse: Book #7and before Group, Photo, Grave: Book #8.
Wednesday in August
your mother feeling?” Lottie Feister quizzed my daughter Anya.
was sitting cross-legged on the other side of the shelving unit so I overheard
Lottie’s question. I thought about getting up and answering her myself, but I’d
sat down here for a purpose. I was searching for a particular sheet of
embellishments. I suppose I could have made my presence known, but I didn’t
feel like moving. An hour earlier I’d had a particularly nasty bout of morning
sickness. Right now, sitting still suited me
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